Fundy Tidal: Terroir

My observations of the movement and placement of the debris in the swash zone along the Bay of Fundy inspired drawings of tidal action and the painting titled Fundy Tidal. Tidewrack creates lines in the sand, is tumbled through foam, and, with elements of both natural and discarded litter, performs a rhythmic dance along the shoreline. 

Life on our planet is dependant on the oceans, and the health of that environment reflects the health of the earth.  The energy of the Bay of Fundy, with the highest tides and strong currents, rips kelp from seabeds, erodes cliffs at its edge.  This drama is captured in what is temporarily left behind, only to be erased and rearranged with the next wave.

Fundy Tidal is included in Terroir: A Nova Scotia Survey

Swash Zone III
9" x 5.5 "graphite on 300 lb Fabriano watercolour paper

Swash Zone I
9" x 5.5 "graphite on 300 lb Fabriano watercolour paper

Fundy Tidal
48" x 72", acrylic on canvas
2016

detail Fundy Tidal

                             

detail Fundy Tidal

                             

The Backlands


Continuing with my interest in the subject of woodlands, I discovered the Backlands last year. With artist Richard Rudnicki and David Patriquin, professor of Biology, environmentalist, and member of the Backlands Coalition, I came to understand this area as a rare and unique ecosystem just a few kilometres from peninsular Halifax.

works on paper: India ink and acrylic on Fabriano hot press water colour paper, 300 lb.

Tree bones, the Backlands

Golden stream, the Backlands

Woodlands and Watersheds: new work by Susan Tooke, Gallery Page and Strange

          Woodlands and Watersheds:  Gallery Page and Strange                                    April 25-16, 2014

With compositions inspired by woodland streams— nature is abstracted, the energy expressed trough animated line and organized through vibrant colour and form. 

Well known for her illustrations in children's literature, Tooke's studio practice exhibits a more dynamic approach. Influenced by artists such as Emily Carr, Tooke exaggertes and simplifies the existing colours found in nature. Patterns create the textures of the earth to express the "soul" of the landscape.

Blue stream tangled wood 36" x 48", acrylic on canvas

Dry stream bed Fishing Cove Trail, 48" x 36", acrylic on canvas

Near Shannon Falls, 36" x 48", acrylic on canvas

Pot Lake Bluff Wilderness Trail, 36" x 48", acrylic on canvas

Fallen spruce The Barrens, 36" x 60", acrylic on canvas 

Two rocks three logs, Bluff Wilderness, 30" x 30", acrylic on canvas

Stream Acadian Trail, 36" x 60", acrylic on canvas

Dry Stream Fishing Cove Trail, 3' x 4' acrylic on canvas

 Fishing Cove Trail in the Cape Breton Highlands is a fairly gruelling descent of 355 metres from the top of MacKenzie Mountain through the forest to Fishing Cove.  Parts of the trail seem more like dry stream beds, with a tumble of moss and lichen-covered rock, and tree roots.  Using a turquoise underpainting, then drawing with cadmium red, I completed the work with  exaggerated colours, simplified patterns and shapes, building a composition which shows the delicacy and impermanence of the structures.  The natural landscape seems disorganized, but a rhythm, a tension develops as colour and line pull the disparate elements into energetic harmony. 

  

Stream with blue log

Stream with blue log

The purple under-painting covers the unknown, the dense mystery of the woodland teaming with birth, growth and decay.  The stream flows through mossy rocks, tumbled debris on the forest floor and disappears back into the undergrowth. 

Stream with blue log, 4' x 5', acrylic on canvas 

detail: Stream with blue log

detail: Stream with blue log